Tag Archives: Manoj Bajpayee

2021: A year of Love, Labour and Loss

Love is a mystery. Love is unitive. Love is how we connect as human beings with one another and with the whole universe together. Love is how we learn, become better, and make the world a better place to live for us and others. Love needs freedom to breathe, equality to thrive, and openness to flow and grow. Love is personal, political, philosophical, sexual, social, historical, metaphysical, transcendental, et al. Sadly, we have only one word to describe such a complex emotion. The ancient Greeks had six different words, but even that’s not enough. 2021 taught me new ways to describe the complexity of love and its various hues. Love lost on many counts, but it miraculously sprang on a few occasions like a phoenix. My LOVE vocabulary was defined and redefined by people who touched my life one way or another this year.

shillpi a singh

LOVE IS FOOD FOR THE SOUL: Farmers and Agripreneurs

“Why do farmers farm, given their economic adversities on top of the many frustrations and difficulties normal to farming? And always the answer is: Love. They must do it for love. Farmers farm for the love of farming. They love to watch and nurture the growth of plants. They love to live in the presence of animals. They love to work outdoors. They love the weather, maybe even when it is making them miserable. They love to live where they work and to work where they live. If the scale of their farming is small enough, they like to work in the company of their children and with the help of their children. They love the measure of independence that farm life can still provide,” said Wendell Berry.

Retracing actor extraordinaire Manoj Bajpayee’s brand endorsements in 2021 makes one marvel at the ingenuity of his choices. He endorsed products and services that matter to an ordinary person, be it home, finance, farm, food, and rightly so. “I was born and brought up in a village, and I have always flaunted being a farmer’s son with immense pride. It is the core of my being, my work and how I choose to do what I do,” he says. A proud farmer’s son, he endorsed Krish-e App by Mahindra because the product reflects his identity, and he could relate to it. “Moreso, because I find technology a great enabler, and Krish-e has leveraged it to its advantage to help farmers reduce costs, increase productivity, and ultimately farmers’ income,” says the actor, who won the National Award for his searing performance in Devashish Makhija’s Bhonsle this year. With his endorsement, Bajpayee set the tone for the changing narrative in the agriculture sector that’s gravitating towards tech and seeing the active participation of young agripreneurs.  

LOVE IS FOOD FOR THE SOUL: Actor Manoj Bajpayee
To read more, https://adnaama.in/2021/11/06/the-ad-ventures-of-mr-b/
Farmer’s pride

IT professional Muhaimin Sheik decoded the perfect work-from-home balance during the lockdown, much to his delight. A native of Ramanathapuram, Pottagavayal village in Tamil Nadu, Sheik returned home to be with his family during the pandemic last year and has stayed in the village ever since then. Hailing from a family of farmers, he wasn’t as deeply involved in the process as he is now, and the WFH, in a way, helped him reconnect with his roots. “I spend five days coding and two days farming. I start my weekdays with a stroll down the farm before logging in for work. One day someone asked me, ‘You are educated and working with a software firm, so why do you want to do this? The company pays you well, right?’ I replied, ‘Yes, it does, but I can’t eat the money. I can eat rice only’,” says Sheik.    

A native of Ramanathapuram, Pottagavayal village in Tamil Nadu, IT professional Muhaimin Sheik at his farm.

CEO of Athvas Horti Fed Producer Company Ltd Asiya Nazir from Kupwara in Kashmir runs a farmer producer organisation and sells to wholesale and retail buyers on a tech-enabled Harvesting Farmers Network (HFN) platform. “I sell walnut, almonds, apple jam, honey and saffron on HFN mobile app directly to buyers across India. The tech-enabled market linkage is a massive relief for farmers like me,” says Nazir.

CEO of Athvas Horti Fed Producer Company Ltd Asiya Nazir from Kupwara in Kashmir

On the other hand, Raghu Dharanipathi of Kapila Agrofarms in Siddipet, Telangana, has benefitted tremendously by feeding corn silage (Cornvita by SAGO) to his cattle for the last three years. “Sago has been one of the best both in terms of quality of the product and customer service. Milk production of our dairy cattle consistently improved by 10-15% in the last three years,” says Dharanipathi. 

The story of Ajit Sorate,a large farmland owner from Baramati, Maharashtra, who faced challenges due to a lack of knowledge about the advanced implements available in the market, is no different. Thanks to Krish-e advisory, his plantation costs have been drastically reduced. Earlier, Sorate used to utilise 16 acres for sugarcane and 12 acres for maize cultivation. This year, after registering on the Krish-e app, he has planted sugarcane, from which he expects over 35% more output. “Krish-e app comes with Mahindra’s promise and has a smooth functioning where I can avail proper advice on soil testing, primary tillage and intercropping to help in scientific mapping of the crop,” he says.  

Back story

Krish-e is a new business vertical from Mahindra Group that provides technology-driven services that are progressive, affordable, and accessible to farmers. “We launched Krish-e and Nidaan apps in October 2021, keeping in mind the ever-evolving needs of the modern farmers. These apps leverage a combination of agronomy, data and farming expertise to improve farmer’s income per acre,” says Hemant Sikka, President, Farm Equipment Sector, Mahindra & Mahindra Ltd. 

HFN founder Ruchit Garg, who launched a mobile app in November 2021, had been actively helping smallholders’ farmers from across the country market and sell their harvest through a dedicated Twitter page during the first wave of COVID19. Farmers used to message crop details to him, and he used to broadcast those details on Twitter, and the farmers’ produce used to find buyers in no time. Buoyed by the consumer response, he decided to have a dedicated mobile app for farmers. “HFN Kisan mobile app is world’s only mobile app which provides full-stack services to not only farmers in horticulture, but also to farmers involved in fishery, poultry and livestock,” says Garg. 

Hyderabad-based agri-tech startup SAGO Speciality Feeds was started by three passionate agripreneurs — former NABARD employee Chandrasekhar Singh, his nephew Saikiran and son Anurag —  in 2019. At SAGO, they have deployed fermentation biology to develop and manufacture silage from corn crops and use microbial inoculants for making silage. The technology helps produce high-quality feed for cattle and enables efficient year-long storage of green fodder. “Silage is a highly nutritious and balanced feed for cattle, sheep and other ruminants, and it can also be used as a biofuel feedstock for anaerobic digesters. It doesn’t contain any synthetic additives or chemicals. Silage also helps reduce the volume of feed as it is highly compressed, thereby decreasing the overall cost and meeting the nutritional requirement,” says Singh.  

Agri-tech startup SAGO Speciality Feeds was started by three passionate agripreneurs — former NABARD employee Chandrasekhar Singh, his nephew Saikiran and son Anurag —  in 2019.
Growth in numbers 

The numbers are promising, and best elucidate the success story. Garg recounts how the app helped a Bangalore farmer sell 20,000 kg of grapes in just three days and how a farmer from Bihar got a weekly brinjal subscription from a nearby hotel by using the app. “We have at least one farmer from each Indian state/UT on our platform,” he adds with pride. 

Ruchit Garg, founder of HFN Mandi and HFN mobile app.

The high-quality corn silage is produced at SAGO’s plant in Banswara, Rajasthan. “More than 1,200 farmers produce corn crop for us annually. Over 230 dairy farms, involving over 12,000 dairy cattle, are fed with our corn silage annually. Sago has created an efficient and sustainable agricultural production ecosystem covering Gujarat, Rajasthan, and Telangana and significantly improved the livelihood of the farming community involved,” elucidates Singh. 

The Krish-e and Nidaan apps have received more than six lakh downloads. With an omnichannel approach, Krish-e is has been able to make a considerable difference to farming outcomes. “Through Krish-e, Mahindra is creating a nation of ‘Champion Farmers’. To date, Krish-e has increased the yield of farmers by up to Rs 15,000, brought down the cost of farming by about 8-12% and increased profit by up to Rs 6000 per acre. It reflects the passion of those progressive farmers who have adopted new practices to improve their outcomes,” adds Sikka. 

Plans in the offing

SAGO plans to expand into other speciality feeds for animals such as Aflatoxin free corn for pet feed and Quality Protein Maize for poultry feed. “These are a couple of products in the pipeline to be launched in the next two years. We are preparing to foray into the value-added food sector, focused on Functional Foods,” says Singh. 

Mahindra Group’s biannual event – Krish-e Champion Awards – is aligned with the Kharif and Rabi seasons. These Awards recognise and felicitate farmers and institutions, who have risen above the ordinary, by thinking innovatively and driving a positive change in agriculture. “Through the Krish-e Champion Awards, we aim to inspire millions of farmers and agripreneurs to build a promising future for the country. These Awards celebrate the progress of these farmers who took this first and very important step with us,” emphasises Sikka. 

Like most other fields, technology in agriculture is a must, believes Garg, adding that it impacts every aspect of agriculture, from seed to market. “Agriculture requires a mix of digital and physical approaches for building a scalable and sustainable business model,” says Garg, who is planning to launch a network of brick-and-mortar HFN Kisan Centers. “These will be farmer-owned and operated. We plan to open 17,000 such centres across India,” he adds. 

Young farmer Sheik sums up the tenacious spirit of others of his ilk and states, “There are many ways to earn money, but there is only one way to earn food, and that’s through agriculture.” True that! We owe a lot to the farmers. It is about time we realise it too. 

Kisan Diwas is observed on December 23 in remembrance of former PM Chaudhary Charan Singh, who was committed to the wellbeing of the farmers. I met farmers and agripreneurs, who have leveraged technology, to do the same to celebrate the day. The article was published in The Free Press Journal on December 19, 2021.
https://www.freepressjournal.in/weekend/kisan-diwas-2021-how-farmers-and-agripreneursare-making-the-most-of-technology-that-is-at-their-disposal

2021: A year of Love, Labour and Loss

Love is a mystery. Love is unitive. Love is how we connect as human beings with one another and with the whole universe together. Love is how we learn, become better, and make the world a better place to live for us and others. Love needs freedom to breathe, equality to thrive, and openness to flow and grow. Love is personal, political, philosophical, sexual, social, historical, metaphysical, transcendental, et al. Sadly, we have only one word to describe such a complex emotion. The ancient Greeks had six different words, but even that’s not enough. 2021 taught me new ways to describe the complexity of love and its various hues. Love lost on many counts, but it miraculously sprang on a few occasions like a phoenix. My LOVE vocabulary was defined and redefined by people who touched my life one way or another this year.

shillpi a singh

LOVE IS FREE-SPIRITED: Phoolsunghi

New Delhi-based academician, columnist and translator Gautam Choubey has scripted history with his literary outing — Phoolsunghi — that happens to be the first-ever translation of a Bhojpuri novel into English. Apart from being the most representative work in Bhojpuri, Phoolsunghi also happens to be one of the most loved literary works by Pandey Kapil, who is hailed as the protagonist of the Bhojpuri literary movement in post-Independence India. It was published in Hamish Hamilton by Penguin Random House. 

The story from the soil of Bihar pans out in Chhapra where the magical, mystical, and mundane intertwine much like the lives of three characters — courtesan Gulzaribai who was popular in the region as Dhelabai; ageing zamindar Babu Haliwant Sahay, who worked as an official in the law court and had a stake in the flourishing opium trade; and Bhojpuri folk poet and singer Mahendra Misir. The timeless tale about these celebrated legends of Bihar has traversed centuries and fascinated litterateurs across ages. These dalliances resulted in three other literary jaunts of repute — Ramnath Pandey’s Mahendar Misir, Jauhar Safiyabad’s Poorvi Ke Dhah and Anamika’s Dus Dwareka Pinjara

The historical novel spanning ninety years touches upon the early years of colonial rule in India without making any direct references to the fight for independence or any social conflict or instances of religious disharmony. The plot, story, and setting spread over 16 chapters together draw a reader into the enchanting world of the lifelike characters. Music serves as the perfect backdrop in Phoolsunghi, and there is a lot of drama, action, tragedy that unfolds in the lives of these people, to keep one hooked, from start to finish. The enthralling mehfils and mujras, high-pitched abduction drama, episodes of court cases and counterfeiting notes reveal the author’s attempt to make it a wholesome entertainer.

The author explores various shades of romantic love, making it an emotional roller coaster ride for a reader. It delves deep into the characters through the maze of the relationships that they share with each other, crossing paths at times, and flowing like the two banks of a river in a few instances.

The novel documents the lives and times, rise and fall, love and longing, trials and tribulations of these characters, who live in and around the banks of river Saryu in Chhapra and its adjoining villages of Mishrawaliya, Sheetalpur, Revelgunj and Muzaffarpur. Like a river that flows through these cities, the plot intermittently drifts to Banaras and Calcutta, and makes pit stops in Punjab and Delhi, before returning to Chhapra. The story also traces the advent of the railway line and how dhuwankas or trains play an important part in the narrative. Phoolsunghi offers a bird’s-eye view of how the characters co-existed in harmony without being bothered by religious, class or caste considerations, and in some measures, it is also a social commentary on the lives of migrant workers. It reveals how some of them seamlessly merged in the mainstream in their adopted land while a few others, bit by melancholia trace their way back to their roots, sooner than later. The migrant’s life in a metropolis is bound to resonate with the readers, and tug at their heartstrings, especially those who have either been a migrant themselves or have witnessed something more heart-wrenching pan out in the country not so long ago. 

LOVE IS FREE-SPIRITED: PHOOLSUNGHI

The Bhojpuri story is quite evocative and engrossing, and Choubey has done full justice to it. The translated work has a cinematic language to it with lively characterisation, and vivid imagery making it an endearing read. It will be no surprise to see the real characters, who inhabited Chhapra once upon a time, taking a reel avatar sometime soon and glossing the big screen, regaling the larger audience who live far, far away from this mofussil. The verses in Bhojpuri have been passionately and painstakingly translated into English by Choubey, but a reader would have benefitted from the richness of the language and appreciated it more had only a list of the originals been provided along with the glossary.   

By foraying into the unexplored domain of translating a popular piece of Bhojpuri literature for a discerning, elitist, city-bred reader, Choubey has managed to do the unthinkable, and in one go. It is a stellar act for its sheer thought and effort. He has not only highlighted the long and diverse literary culture of the language but also debunked the common perception of it being only a folk language, giving Bhojpuri its due. His disruptive effort, hopefully, might lead to many more such works being produced by the speakers and readers of the language, and in that context, Choubey’s present translation will fondly be remembered for being the first of its kind that helped to pave the path for many more.

Phoolsunghi has something for all; it serves as a timely reminder about the richness of Bhojpuri literature for the younger generation and has a multitude of joy and nostalgia to offer for the older ones. The story will transport you back to your roots so soak in the subtleties of a bygone era from a faraway land, and shore it up for yourself and your coming generations. 

“I have fallen in love with the imagination. And if you fall in love with the imagination, you understand that it is a free spirit. It will go anywhere, and it can do anything.”

Alice Walker

2020 was the year of Bhojpuri disprutors

The article was published to celebrate the International Mother Language Day
in The Free Press Journal, Mumbai, on February 21, 2021.

To read more: https://www.freepressjournal.in/weekend/from-manoj-bajpayees-rap-to-podcasts-the-year-of-bhojpuri-disruptors

चल रे बटोही सिर्फ एक गाना नहीं बल्कि प्रवासियों के अपने घर वापसी की कहानी है: अमरेंद्र शर्मा

By Shillpi A Singh

आज की ख़ास बातचीत अमरेंद्र शर्मा से जिन्हें आपने फिल्मों और टेलीविज़न में अभिनेता के रूप में देखा होगा पर क्या आप जानते हैं इन्होंने पिछले साल भोजपुरी गाने – चल रे बटोही – के गायक और निर्माता के रूप में एक नयी पहचान बना कर सब को चौंका दिया था। चलिए एक बटोही के साथ उसके सफर पर और जानिये इस अभिनेता, गायक और निर्माता के पीछे छुपे एक प्रवासी के दर्द को।

अमरेंद्र शर्मा

आप को हमनें फिल्मों और टेलीविज़न पर अभिनेता के रूप में देखा है। पिछले साल आपने दो म्यूजिक वीडियो में बतौर गायक और निर्माता के रूप में हम सब के सामने आये। इस सफर की शुरुआत कहाँ से और कैसे हुई ?

मैं बिहार के बेतिया जिले के शिकारपुर गाँव से मैट्रिक करने के बाद 1998 में पटना थिएटर करने आ गया। बिहार आर्ट थिएटर से एक्टिंग में दो साल का डिप्लोमा किया और उसी समय पंकज त्रिपाठी भईया से मिलना हुआ और उन्होंने मुझे नेशनल स्कूल ऑफ़ ड्रामा (एनएसडी) के विजय कुमार जी के मंच आर्ट ग्रुप से जोड़ लिया। फिर हमलोग कई सालों तक पूरे देश मे घूम घूम के बहुत सारे नाटक किया जिसमे फणीश्वरनाथ रेणु जी की कहानियां (पंच लाइट, रसप्रिया), हरीशंकर परसाई जी की कहानियां (ना जाने केंहि भेष में, हम बिहार में चुनाव लड़ रहे हैं) का कोलाज़ बना के, फिर रागदरबारी, जात ना पूछो साधु के, ऑफ माइस एंड मैन, बहुत सारे शोज़ किये। फिर कोलकाता में उषा गांगुली जी के रंगकर्मी रेपेट्री से जुड़ गया। वहाँ पर कोर्टमार्शल, शोभायात्रा, काशी के असी, मुक्ति, मातादीन चाँद पे, बहुत सारे शोज़ किये। उसके बाद दिल्ली साहित्य कला परिषद रेपेट्री से जुड़ गया। वँहा पर सतीश आनंद सर के साथ अन्वेषक, महानिर्वाण, चित्तरंजन त्रिपाठी जी के साथ लड़ी नज़रिया, दस दिन का अनसन (हरिशंकर परसाई जी की) सुमन कुमार जी के साथ कहानियों का मंचन किया।
दिल्ली में नाटक करते हुए मनोज बाजपेयी सर की फ़िल्म 1971 में काम करने का मौक़ा मिला, जिसमे मैं पाकिस्तानी सोल्जर की भूमिका में था। काम कुछ ख़ास नहीं था, पर मुझे मनोज जी को क़रीब से अभिनय करते देखना था, मैं उनको स्वाभिमान, दौड़, तमन्ना के समय से फॉलो करता था, जब सत्या आई तो मैं बिल्कुल बेचैन हो गया कि मुझे कैसे भी कर के एक्टर बनना है। मैंने उनकी सत्या देखी थी और शायद तभी से मुझे अभिनेता बनने की इच्छा जागी थी। स्कूल टाइम में अजय देवगन साहब का जबरदस्त फैन रहा हूँ। एक भी फ़िल्म नहीं छोड़ता था। फिर 2008 में मुम्बई आ गया। दूसरे मेरे पसन्दीदा एक्टर इरफान खान सर के साथ अपना आसमान किया। मणिरत्नम सर के साथ रावण किया। फिर मैंने फिल्मों से थोड़ी दूरी बना लिया, अच्छे काम नहीं मिल रहे थे सो मैंने टेलीविजन के तरफ़ रुख़ किया। क्राइम शोज़ में लीड रोल किये। कुछ विज्ञापनों में भी काम किया। 2018 में मुझे भोर फ़िल्म मिली, फिर 2019 में बाटला हाउस मिली। 2020 में मैंने बटोही म्यूजिक वीडियो बनाया। बटोही के बाद, छठ का गीत बनाया, उसे भी लोगों ने पसंद किया।

आप खुद को प्रवासी रचनात्मक मजदूर क्यों कहते हैं ? बटोही म्यूजिक वीडियो के पीछे क्या कहानी छुपी हुई है ?

सन 2000 में मैं पहली बार बिहार से बाहर, दिल्ली नाटक करने, अपने गाँव के कुछ लोगों के साथ पहुंचा था । वो लोग कापसहेड़ा में फैक्ट्री में काम करते थे और एक छोटे से कमरे में 7 से 8 लोग रहते थे। मैं भी उनलोगों के साथ रहने लगा, उन लोगों की स्थिति देख के मुझे बहुत बुरा लगा। मुझे बाहर इतनी बुरी स्थिति में रहना पड़ेगा, मैं कभी सपने में भी नही सोचा था, पर धीरे धीरे मैं भी उनमें ढल गया। कुछ समय बाद मैं वंहा से मंडी हाउस चला आया और अपने नाटक में मस्त हो गया। उसी समय NDTV पर रविश कुमार जी की रिपोर्ट देखी, जिसमे रविश जी मेरे ही ज़िले के प्रवासी मज़दूरों के साथ खाना खाते हुए रिपोर्टिंग कर रहे थे। उस दृश्य ने मुझे अंदर से झंझोर दिया। ख़ुद को पराजित महसूस करने लगा। पहली बार प्रवासी शब्द का अर्थ समझा, पहली बार अहसास हुआ कि मैं भी प्रवासी मज़दूर हूँ। मैं भी अपना परिवार, गाँव, समाज और जगह छोड़ कर मज़दूरी करने आया हूँ। उसके बाद मैं कलकत्ता गया, फिर मुम्बई आ गया, हर जगह उस दर्द को महसूस करता रहा।

चल रे बटोही अपन गाँव

चल रे बटोही अपन गाँव म्यूजिक वीडियो बनाने में कितना समय लगा ?

मुम्बई में संघर्ष करते वक़्त महसूस हुआ कि भोजपुरी में बहुत बुरा काम हो रहा है। भोजपुरी अश्लीलता का पर्याय बन चुका है। दूसरे राज्य के दोस्तों के बीच भोजपुरी मज़ाक की भाषा थी। बहुत बुरा लगता था। भोजपुरी में कुछ करना चाहता था पर कर नहीं पा रहा था, जिस तरह की भोजपुरी फ़िल्म बन रहीं थी कभी मन नही हुआ करने का। मैं गायक नही हूँ, पर नाटक में हमेशा गाता रहा हूँ, सो मेरा मन किया कि क्यूं न भोजपुरी में कुछ गाया जाय। प्रवासी होने का दर्द मैं मुम्बई में भी महसूस कर रहा था सो पलायन पर कुछ गाने का मन बनाया। सन 2018 की बात है, मैंने गीत लिखना शुरू किया पर पेपर पर उसको उतार नहीं पाया। फिर अपने गाँव के अभिजीत मिश्र को समझाया और कई महीनों के डिस्कस करने के बाद गीत तैयार हुआ। फिर भी मुझे गीत अधूरा लग रहा था; फिर मैं मुम्बई में राइटर डायरेक्ट आशुतोष तिवारी से मिला और बटोही का दूसरा अंतरा लिखवाया।
फिर दोस्त मनु वर्मा से डेमो म्यूजिक तैयार करवा के, फाइनेंस के लिए लोगों से मिलता रहा, पर कोई तैयार नहीं हुआ। फिर सोचा अब किसी से नही मिलूंगा, ख़ुद ही बनाऊंगा। ऐसे सोचते सोचते दो साल बीत गए। फिर लॉक डाउन में गाँव आ गया। प्रवासी मज़दूरों का संघर्ष देखा तो बहुत दुःख हुआ, ऐसा लगा बटोही इसी दिन के लिए बचा के रखा हूँ। कुछ समझ नही आ रहा था, गाँव में कोई सुविधा नहीं थी। क्या करूँ, सोचा फेसबुक पे लाइव गा देता हूँ, पर मन नहीं माना। फिर बेतिया में ही DOP चंदन से बात किया और वहीं पर लॉक डाउन में रेकॉर्डिंग कर के वीडियो भी शूट कर लिया। फिर मुम्बई एडिट के लिए फ़ाइल सेंड करने में तीन दिन लग गए, यहां पे इनटरनेट का बहुत प्रॉब्लम था। वीडियो शूट करने में टोटल चार लोग थे। ज़ीरो बज़ट में बटोही बन कर तैयार हुआ।

आपके बटोही गाने की बहुत तारीफ हुई है। क्या आपने ऐसा सोचा था ?

बटोही को जैसा मैंने सोचा था वैसे ही सबके सामने था, सभी का प्यार बहुत मिला।
मनोज बाजपेयी सर ने ट्विटर पे शेयर किया। पंकज त्रिपाठी भईया ने अपने पेज से शेयर किया।
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सबसे बड़ी बात मुझे ये लगी की दूसरे राज्य के लोगों ने भी इस भोजपुरी गीत को सराहा और पसंद किया।शायद इसलिए भी क्यूंकि इस देश में अगर बिहार का लड़का अगर महाराष्ट्र में काम करता और रहता है तो वह एक प्रवासी है। और इस तरह हम सभी प्रवासी ही हैं।

आप अभिनय और गायन के क्षेत्र में इस साल और क्या-क्या कर रहे हैं ?

दो फिल्मों – मछली और नरभक्षी – में काम किया है जिसका पोस्ट प्रोडक्शन चल रहा है। एक हॉट स्टार की वेब सीरीज कर रहा हूँ। कुछ भोजपुरी म्यूजिक वीडियो भी प्लान किया है, उसको करना है। अभी मैं किन्नर समुदाय के दुर्दशा और व्यथा पर भोजपुरी में म्यूजिक वीडियो बना रहा हूँ।