Tag Archives: Cheepatakadumpa

Cheepatakadumpa: Hitting the G-Spot

Three friends — Teja (Bhumika Dube), Santo (Ipshita Chakraborty Singh) and Tamanna (Annapurna Soni) — from small-town India meet at an upmarket mall, and from there, take the audience on a pillion ride into the world of female desire on a full moon night.

A tightly-knit storyline has the trio exploring the idea of women loving their bodies by taking matters into their hands, quite literally. Two of the actors — Bhumika and Ipshita — have co-written the script with filmmaker Devashish Makhija, and it reflects in their combined gaze on the subject. The off-screen camaraderie of the trio, all alumni of the National School of Drama with a solid body of work in theatre, makes them shine in this short. Sharp dialogues, clever camera work, and tight editing give the not-so-openly-spoken topic in Hindi cinema, ample space to stretch itself to the imagination. 

Santo (Ipshita Chakraborty Singh)

The opening scene is a good starter. Teja owns her sexuality and unabashedly. That unbelievable power of ownership leads the audience to the unchartered territory of female desire, and Santo as the woman who fantasises about having sex with a married man under full moon’s gaze that night, ably takes the plot further.

Teja (Bhumika Dube).

In between, the duo leads married but yet uninitiated Tamanna to experience that elusive pleasure for the first time. The transition from organ to orgasm is organic. The result is an ecstatic high. Bishna Chouhan adds zealously to keep the spark alive with her deadpan expression.  

The last scene pans out in the open and broad daylight, letting the audience experience the freaky idea of femaleness, of women seeking pleasure and owning their sexuality through the deft approach of a man and two women to this taboo subject. The scene is liberating. Together, all of them have treaded the thin line, carefully manoeuvring the plot and keeping it on track without being preachy or voyeuristic, and that’s quite a feat to say it all in barely 23 minutes. 

Tamanna (Annapurna Soni).

Makhija uses the mobile camera, fiddles with aspect ratio, cramps the actor in small spaces and lets the camera focus on their quirky expressions, movements and gestures as they go about exploring their femaleness in this short film currently playing at the Dharamshala International Film Festival.   

Cheepatakadumpa questions the double standards regarding sexuality — a rule for a man, an exception for a woman — subtly by letting the female protagonists explore the idea that there’s nothing wrong in seeking pleasure. It is in their hands, after all.

Register to watch it, here:  https://online.diff.co.in/film/cheepatakadumpa/       

(All pics courtesy https://makhijafilm.com/)